The Mopes "Accident Waiting To Happen"

Lookout 230

The Mopes are either past or current members of some high pedigree bands from Chicago, Lafayette and Boston (namely, Screeching Weasel, Squirtgun and The Queers) but they don't want you dwell on that fact. Separately they are all known for writing and/or performing some of the greatest pop-punk ever. So if these four are so amazing in their other bands, what happens when they get together? In February 1999, they answered that question when they put the finishing touches on their debut album. Sure B-Face had to drive all the way from Massachusetts to Lafayette, Indiana to spend one day doing his bass parts, and Jughead had to drive down each day to record his parts and then drive back to Chicago to do a nightly show at a local theater, and sure they only had one proper rehearsal with amps and real drums before recording the first EP and no real practice before doing the album, but somehow the Mopes managed to make one of the best pop punk records ever. Combining the pop elements of Green Day with back-beat punk of the Riverdales into a concoction that is unique, catchy as fuck, and totally original.

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The Mopes "Low Down Two Bit Sidewinder"

Lookout 202

The Mopes started out with some silly songs written by Dan Vapid and B-Face while on the road with the Queers. They promised each other they'd record them at some point but both of them were pretty busy with their other bands, Screeching Weasel and the Queers.  Then one afternoon in early 1997, Vapid showed up at John Jughead's house with an acoustic guitar and no explanation. Jughead was no slouch, so he invited him in and they started messing around with some of the songs Vapid had written with B-Face. It kept happening. After working out some songs together, John and Vapid invited Squirtgun's Dan Lumley over to accompany them on drums. Since they were playing together in an apartment with neighbors, Lumley fashioned a drum set out of cardboard boxes. From an original idea by B-Face and Vapid, and filled out by John and Lumley, the Mopes were officially born. Fast forward to Thanksgiving weekend 1997 when they laid down the tracks for this CDEP full of poppy punk rock, catchy instrumentals, and goofy 60's style stuff - plus a hidden track - with Mass Giorgini at his Sonic Iguana Studio in Lafayette, Indiana. Originally released in 1998.

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